Advancements in Panhandling: Don’t Forget to Feed the Meter
Back in 2006, I wrote a Newsweek article about the problems that warm-weather cities like Orlando and Las Vegas were having with their homeless populations, and the rather creative methods they were using to control them — namely banning public feedings and consigning all panhandling to 3-by-15-foot “panhandling zones” painted on sidewalks.
Turns out the solutions have only gotten more creative in the last few years. The newest innovation are “homeless meters,” repurposed parking meters — painted a different color and set back from the street — that people can deposit coins into rather than give spare change to panhandlers. Cities then donate the collected money to nonprofit groups, which in turn use the funds to buy things like bus tickets. Advocates say this cuts down on the abuse of funds, and ensures that donations are put to the best use. Read More »
Sensible Pricing at the Ballpark
When I was a kid, tickets for grandstand seats at Comiskey Park (where my team, the White Sox, used to play) cost the same regardless of who the opponent was (only 7 possible in those days), the time of day or day of week. At a recent Minnesota Twins game I learned that MLB has gotten smart, pricing differentially depending on the identity of the opponent and the date/time of the game.
For games in the same one-week period a home plate view grandstand seat in Target Field ranges from $36 to $45, with a higher price for night games, weekend games and, most important, for more attractive opponents (sadly, higher, other things equal, for the Red Sox than the White Sox). Probably aided by web technology, teams can do a better job of equilibrating demand and the (fixed) supply of seats, although the current price range and the partly-empty stadium in the game I saw (against the last-place Kansas City Royals) still doesn’t seem great enough to accomplish this completely.
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. If you haven’t seen it yet, the movie features Steven Levitt and Stephen Dubner, and was made by a dream team of documentary directors. Paste Magazine named it one of the 